In My Mind's Eye with Mary Bridget McCarthy
This week: Mary Bridget McCarthy is on the docket for Antony and Cleopatra. 1. How do you prepare a Shakespearean character? After my...
Seeing Antony from Many Sides with Paul Riopelle
Paul Riopelle discusses the creation of his character for Antony and Cleopatra. As an actor whose first love has always been Shakespeare,...
In My Mind's Eye with Matt Fowler and Mychael J. Overton
This week: Matthew David Fowler and Mychael J. Overton are on the docket for Antony and Cleopatra. 1. How do you prepare a Shakespearean...
On Cleopatra's Fine Coat of Gold with Heather Hartnett
Heather Hartnett on her character process for Antony and Cleopatra. My feelings of the characters I play often change from rehearsal to...
In My Mind's Eye with Janna Rosenkranz and Saray Stark
This week: Sarah Stark and Janna Rosenkranz are on the docket for Love’s Labour’s Lost. How do you typically go about preparing a...
Tackling the Soliloquy with Scott Lange
Scott Lange on one of the greatest Shakespearean challenges, the dreaded (and delightful) soliloquy. There are a lot of elements that go...
In My Mind's Eye with Kilian Thomas G. and Joseph Valente
This week: Kilian Thomas G. and Joseph Valente are in the hot seat for Love’s Labour’s Lost. How do you typically go about preparing a...
Making Music between the Acts with Joel L. Schindlbeck
Joel L. Schindlbeck on Music Directing for Love’s Labour’s Lost. For Shakespeare’s theatre, music seemed to be a necessity. Not only the...
Finding the Male Character in the Female Actor
Rachel Pineiro on creating Benvolio for Romeo and Juliet. When I accepted the role of Benvolio in Romeo and Juliet, I naturally assumed...
On Acting from Behind with Scott Wright
Scott Wright discuss Friar Laurence on his "back side" for Romeo and Juliet. To stage actors whose experience is mostly in the...
